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Saint​-​Quentin

by BluesReel

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harmodan
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harmodan Tout simplement parce que c'est bon à s'en lécher les oreilles !!! Du coeur, de belles chansons et de l'amour bien ressenti. Merci Sabin et Rachel, vos interprétations me transportent. Merci et Bravo !!! Dan
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1.
Johnny Cash where are you now? I’m on the second floor of the Queen Hotel It’s Sunday night and we’re nowhere in sight In the middle of Saint-Quentin Dans ma chambre je sors mon blues harp La nuite icite tout est muet comme une carpe Puis les dimanches les garages sont fermés Même les danseuses sont en congé ! Johnny Cash, I’m talkin’ to you We didn’t think to stay, we were just passing through But now we’re in the Queen Hotel with the Sunday Saint-Quentin blues Les gars sur leurs Harleys zigzagent le main drag Les gamins en bécique nous trouvent une bonne blague : L’homme avec sa tresse, puis l’autre avec sa barbe Ils nous prennent pour un couple d’outardes Perdus – mais non, c’qui c’est passé sur la 180 nous avons frappé des gros – énormes – nids de poule pis le char roule pu, mais pantoute In the window of the old town store Where no one buys or sells anymore The artificial girl holds an artificial rose She maintains the same old pose She’s been standing there forever, forever and a year Just waiting for the annual Festival Western Ça commence la semaine prochaine – on va-tu être là encore ? Toute la ville est décorée de silhouettes noires De cowboys et de cowgirls, de chevaux et chariots Y’a des bottes de foin, y’aura même un rodéo But I believe, Johnny Cash, tonight we all miss you with the Sunday Saint-Quentin blues Yeah I believe, Johnny Cash, tonight we all miss you with the Sunday Saint-Quentin blues
2.
3.
Take me down to the Main Street Take me down to the main street, where I’ve often walked before We can find someplace to go, where we can drink & talk some more I want to check places that I used to go Maybe see old faces that I used to know Some of them you wouldn’t want to know When I first came to the main street, from three thousand miles away It wore an aura of seedy romance, and the smell of sweet decay With my young eyes wide I looked all around Poets and barflies, they were thick on the ground Some of them are my good friends now When I first lived on the main street, I was as broke as I could be I’d beg soup bones from the butcher’s shop, get ten cups from a bag of tea I’d fill my pockets at the grocery store Buy some milk & head for the door Somehow I never got caught When I walked out on the main street, in my young bohemian days I knew it was the place for me, I knew I could always stay But now I’m older, got a family I moved all the way out to NDG But some of that main street’s in me still. © Patrick Hutchinson, 1990, SOCAN
4.
9 to 5 03:25
Tired every morning, tired every morning I wake up from my bed Tryin’ to stop the music, that’s playin’ in my head. I got a job to go to, bad job to go to I work nine to five Well, hello Dolly, but I’m being eaten alive. I gotta quit my job, quit my job Before I lose my mind. Oh, I sure like the dough…. Baby, I’ll get by. It’s not like I haven’t, not like I haven’t Been here before But this will be the last time, I’m not comin’ back this way no more I’ll get a gig in a nightclub, just a few blocks down … downtown. Everybody knows: you got to work somehow. And when I go drinking, I’ll make do with some other kind … of wine. I’ll have a whole lot less … oooh … to worry my mind.
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The Bin Hoker's Waltz Well he's got no alarm clock, but he rises with the lark Just to pick up the empties, that were left in the park He's got a pole across his shoulders, like a peddler of old With a bag at each end, full of treasures untold He's doing the Bin Hoker's Waltz There's a place where the kids go, the ones that don't fit in And he's welcome inside there, when he's cashed in his tins He gets a pint or a coffee, sits quiet at the bar And he loses himself, in the talk and guitars He's doing the Bin Hoker's Waltz Then the band strikes a song up, he thinks he once knew Yeah he had it on a single, back in '72 And the years and indignities just fall away And he's out on the dance-floor, and he starts to sway He's doing the Bin Hoker's Waltz Someone slides him a plate, "You want the rest of my chips?" And he nurses his drink, with the smallest of sips And it's better than dodging the cops on the beat But come closing time, he'll be back on the street. He's doing the Bin Hoker's Waltz. © Patrick Hutchinson, 2019, SOCAN
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9.
Worried, I’m so worried Work taking up all of my time Haven’t seen my baby Since my work began Hmm hmmm … comes the night Reefer is my only friend Ah, we’ll have a good time When I come to town Well it won’t be tomorrow But you know I’ll try to make it down
10.
Guitar Rag 03:21
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about

Standing back from the finished product, it is fair to say that we like folk rhythms. On this, our second album, we’ve got blues in different shades, rags, hornpipes and Shetlandic syncopations; we’ve got waltzes, a polka, rock n’ roll, and there’s that delightful romp on Dejarlis’ Nobody’s Business.

Among our original songs is Sunday Saint-Quentin Blues that tells the story of getting stuck à Saint-Quentin (as they say in Acadian French). The circumstance and the song both mark the time, after we released our first album, when we began to take our show on the road. The songs and tunes here have been an integral part of our live performances since then. And so we call this album, Saint-Quentin. (There’s more to the story than that, but it takes a pint to tell it.)

credits

released October 2, 2020

BluesReel
Patrick Hutchinson, guitars, whistles and vocals
John Kerkhoven, harmonicas and vocals

Recorded and mixed by John McColgan at JMC Studio, Montreal

Produced by BluesReel and John McColgan

Special Guests
Gilles Losier, fiddle on 1 and 5, fiddle and vocals on 11
Stephen Barry, upright bass on 4
Belfast Andi MacGabhann, bodhrán and backing vocals on 7
John McColgan, washboard on 10

Original compositions and arrangements © SOCAN, various years

Photography: Elise Thierry

CD layout and design: John Kerkhoven

All rights reserved. Made in Canada.

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BluesReel Montreal, Québec

BluesReel is a harmonica-guitar duo inspired by the folk tradition from both sides of the Atlantic. Based in Montreal, BluesReel plays a compelling repertoire of traditional tunes, blues and original compositions. A bit of rawk and roll has also been known to creep in to the mix. ... more

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